It is not simple to make a horror film that does not rely solely on unexpected loud sounds or gore to shock audiences – which is why so few movies from the horror genre grow above mediocre. A film like Carrie has some great scenes, but the general mood is destroyed by changes in tone as though it can not make up its mind what type of movie to be. Hellraiser includes its share of terrifying scenes, however, the overabundance of gore makes it hard to watch. And films such as Portergeist suffer from becoming overly ridiculous, star citizen character customization concocting complicated explanations for the supernatural.
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1. The Blair Witch Project – 1999, dir. Daniel Myrick, Eduardo Sanchez.
This small, low-budget movie proved you don’t need flashy special effects to successfully produce a mood of dread. The narrative is presented as a documentary of real amateur footage discovered in the forests after three pupils vanish while exploring a local legend called the Blair Witch. We become the figures, seeing the footage from their view from the viewfinder since they filmed it, which brings us and heightens the frightening climax.
2. Carnival of Souls – 1962, dir. Herk Harvey.
While on her way to have a job as a church organist, a girl is haunted by a bizarre apparition. It compels her to an abandoned lakeside pavilion, starting an eerie chain of events. Harvey’s gruesome, low-budget masterpiece, with its suitably eerie organ score, has turned into a cult classic.
3. Donnie Darko – 2001, dir. Richard Kelly.
Time traveling, an improbably frightening man in a bunny costume along with a protagonist that may or might not be slipping into emotional illness form the puzzle at the heart of the cult movie that straddles literary and terror, yet is a great deal greater than genre. Jake Gyllenhaal plays with Donnie Darko, a troubled adolescent in suburban Virginia who attempts to make sense of apparently disconnected, baffling hallucinations and threads. Everything eventually comes together at the evening before Halloween, when Donnie has been made to face a decision which will alter his potential, and his previous.
4. The Exorcist – 1973, dir. William Friedkin.
Even setting aside the hype, this remains among the all-time greatest horror movies. Ellen Burstyn plays a mom who becomes educated over the increasingly eccentric behaviour of her daughter (played by Linda Blair). Not wanting to acknowledge that the possibility that her daughter has become possessed by the devil, she insists at last to make an exorcist. The minimalist music from Tubular Bells by Mike Oldfield, that builds slowly and necessarily enjoy the film, wasn’t initially written with dread in your mind, but only a few bars of the motif could raise the hairs on the back of your throat.
5. The Haunting (original version) – 1963, dir. Robert Wise.
Here is the first movie version of Shirley Jackson’s book about a paranormal investigator and his three companions that collect in an older house famous for its dreadful past. Claire Bloom plays the emotionally delicate Nell who gradually falls beneath the maleficent charm of the home. Despite a couple of moments which don’t match well, the film still manages to keep its own power. Wise known that terror frequently lies in what isn’t revealed.